Maxophone

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When the rage storms out, nobody can say what's true any more, nobody can say what can break the wall Nonetheless, those raging, forbidden words are the words of the future! Next comes "Perdo il colore blu" I'm loosing the blue colour that every now and again reminds me of PFM. It begins with a frenzied rhythm and describes the feelings of a man who dives into a busy life as an antidote to the poisonous consequences of a broken relationship, a man who works to forget Those who have the bad chance to be lonely like stones are condemned to climb an endless stairway to the moon Then it's the turn of "La fabbrica delle nuvole" The factory of the clouds , a magnificent instrumental track that starts with the pace of a gentle giant in a glass house.

Try to imagine a factory producing dreams and expectations through words and notes and listen to the sound of its cogs and wheels It tells the story of a hare that was charged by the moon to bring a message to humanity Unfortunately, the hare forgot the words of the moon and delivered a wrong message provoking sadness, shadows and ice The bitter-sweet "Estate '41" Summer '41 evokes the image of two lives on the border.

Dreams falls down and a magma of memories throws stones into a fragile heart And yet, there's still time to listen to strange sounds, the beating of the drums seems like the voice of screaming giants. The war is raging outside, it's a difficult time for two lovers but their kisses are able sweep off all the words and the sense of distress The following "Nel fiume dei giorni i tuoi capelli" In the river of days your hair opens softly.

It's as if the arms of a clock would start to go back in time seeking for the memories of lost summer days, as in a hypnotic trance. Then the music becomes bolder and Gentle Giant could come to mind again while the notes begin to play hide and seek over a sea of a thousand words For him, life is just a flight beyond the sun, in total freedom The closer "Le parole che non vi ho detto" The words I haven't told you is a melancholic song led by piano and violin where regrets pour down like rain on a man who's thinking of the words he would say to his parents if he could meet them again On the whole, an excellent blend of poetry and challenging music and a great album that grows spin after spin.

The voice is soothing and fits greatly for an Italian Prog band sung in Italian. Italian prog puts strong emphasis on keyboards and also here we have multiple instrumentalists capable to playing some "key" instruments, which results in keyboard layers and fine sound. Highly recommended as it stands on its own in the vast RPI set of albums. Second song, the instrumental Fase, guitarist Roberto Giuliani lays down a very convincing and convoluted Steve Howe run, but the song quickly veers into horn dominated Crimson stylings.

Vibraphone, a rarely heard instrument in prog, is used to great effect here. Side two begins with Mercanti Di Pazzie, a hint of early Starcastle, and they quickly take it to another level. Second song Mercanti di Pazzie begins with harp it also credits a HIndemith sonata as the source. Vibraphone helps creates a baroque Genesis flavor.

It is one of the few placid moments on the album. Final song Antiche Conclusioni Negre is a nine minute tour de force, combining Yes styled runs with French horn and sax before calming to a piano and vocal interlude. The song and album finishes with a wistful sing along of all the members accompanied by only the organ.

Great stuff from opening notes to final fade out, with no bad moments at all in the whole experience. Two bonus tracks are listed on the inner gatefold of the reissue vinyl lp, but sadly they aren't included. If there are any weaknesses to this record, perhaps it is the vocals, but that would be looking really hard to find something to complain about. The band is so versatile in so many ways-able to seamlessly slip from ELP to Yes to Genesis to Crimson to jazz to PFM in a single song, and still somehow make it their own.

An astonishingly high level of musicianship is on display. RPI fans though? You'll find plenty of Italian flavour in here. Absolutely essential for Italian prog fans, and highly recommended for UK symphonic prog fans. And if you can find the English version? A great intro to RPI for beginners. Despite fitting snugly into the Italian symphonic prog tag that found the usual elements of symphonic prog, classical, operatic vocals and off-kilter time signatures with rock elements, MAXOPHONE went above and beyond the call of duty in creating one of the most diverse albums of the entire 70s Italian scene and although it didn't get their just dessert in the initial four year run that lasted from , the musicians on board proved that they were in it for the art and not the fame and fortune you know how profitable prog is!

The band which consisted of six members and a fair number of sessions musicians took many years to craft their one and only album which was the alchemic amalgamation of two different pools of musical experience brought together and teased out into a perfect balance of talent by outstanding multi-instrumentalists. The band consisted of Sergio Lattuada keyboards , Roberto Giuliani guitar, piano , Leonardo Schiavone clarinet , flute and saxophones , Maurizio Bianchini vibraphone, horn and trombone , Alberto Ravasini bass, acoustic guitar and flute and Sandro Lorenzetti drums , plus some guests on the harp, violin, cello and double bass.

Half of the members were graduates of classical training whereas the others were heavily experienced in various rock bands. The result was an interesting blend of all the experience of the members involved and the band took years to craft their modernly deemed magnum opus into a true musical gem. While MAXOPHONE pumped out a mere six tracks on their sole album of the era, the running time goes for the gusto and tackles not only the usual fusion of classical and rock but also has a stealthy supply of jazz, folk, Neopolitan traditional music along with avant-garde touches.

Like almost all of Italian prog of the era, MAXOPHONE began their journey with strong melodic developments but once established, deviated into some of the most complex journeys within the history of Italian prog with off-kilter time signatures, unexpected dynamic shifts, dense atmospheric drifting and an uncanny attention to detail which allowed the band to effortlessly shift gears from soft pastoral moods to heavy guitar or keyboard dominated frenetic attacks.

Having hit the tail end of the whole scene and attempting to copy the marketing skills of other bands like PFM, this album was released with both Italian lyrics and then in English the following year Italian experiencing this in English. The prog scene was winding down and the bigwigs of the day already had the gaze of those who were paying attention. The label Produttori Associati was not accustomed to signing prog acts but rather focused on soundtracks and jazz.

MAXOPHONE probably slipped through the label's cracks due to the fact that they implemented more jazz elements than the ordinary symphonic prog act not only in the sultry sax solos that occur sporadically but also in the rather unorthodox jazzy compositional constructs that add an extra layer of complexity to the already breathtaking classically driven rock sequences.

Despite this album having been released and utterly ignored, the rediscovery of the prog scene has been quite generous and has ranked this amongst the best of the best. This is definitely one of the more demanding examples of the Italian prog scene. Despite the strong melodic deliveries strewn about, the variations that change frequently dictate a dedication of multiple listens for this to have sink in.

While at first i was unfazed, after many, many listens this has at long last revealed its secrets as if i've broken the code that allows premium access into the world that was constructed so many decades ago. There are many segments of this album that are instantly addictive but the whole enchilada doesn't necessarily gel until it's penetrated on a deeper level, however after the album has sunk in, it's undoubtedly the case that this is indeed one of the highlights of the entire Italian prog scene with a magnanimity that has rarely been matched.

Never boring, Maxophone's one-and-only 70s album stands as one of the classics of the era, shifting between sonic timbres and moods. Although released in , its sound is more like The drum, electric guitar, and organ sounds in particular avoid the more slick recording quality that dominated the UK and US rock scenes in the mid-to-late 70s. The guitars can sound quite harsh at times, actually, which is somewhat refreshing, and contrast nicely with the sometimes very sweet Italian singing I have the Italian language version, which I much prefer.

The second track breaks with this sound, instead building around an electric guitar riff ala 'In-a-gadda-da-vida'. This is to my ears the weakest track on the album, but I still listen to it. The third track is very mixed, moving between styles, including hints of Canterbury-esque time signatures, medieval flute passages, and quirky horn parts.

My favourite track is the fourth track "Elzeviro" , very musical, with an electric mix of styles from beautiful flute soloing, to sweet Italian singing, to harsh moody guitar. The fifth track is an eclectic mix of harmony vocals, slowish classical music, and a touch of cheese, but with some very interesting and musical chord changes in places. The 2 single tracks have since been added to some versions of the CD re-issues of the album.

Maxophone disbanded soon after the single release, and despite the album becoming an artistic and critical success [ citation needed ] , they did not reform for many years. In the early s Maxophone's music was re-discovered by the Progressive rock audience when both versions of the album were re-issued on CD by Mellow Records. In Akarma Records also released the Italian album on vinyl. It contains rare video of the group performing at the RAI studio in Turin along with 10 additional studio recordings made between and and band interviews.

After a period of reflection a new version of Maxophone re-formed at the beginning of containing two of the original members. From Wikipedia, the free encyclopedia. This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. Archived from the original on Authority control. ISNI 1. MusicBrainz artist. Categories : Italian progressive rock groups Musical groups established in Musical groups from Milan.

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