Applies to. Does not apply to. We updated Core5 this summer, and system requirements changed. Older versions of the Core5 iPad app were retired in July You will no longer be able to use iPad versions below 4.
In her decision, Kimmel makes no comment on the statement itself, other than to say it was identified as a "live" issue by McCallum surrounding the allegation of sexual assault. As other lawyers have pointed out, McCallum's position — which has now been in the public record for about eight months since the affidavit was sworn in July — is effectively the agency's position, as he is acting for it in court.
Kenora CFS executive director Bill Leonard told the Star in an email exchange this week that he can't really comment as the court case is ongoing. McCallum's statement is before the court and as you point out, it has been before the court for some time," he said. It's "disappointing" if Kenora CFS didn't know at the time that their lawyer had made such a statement in court, said Allen Wynperle, president-elect of the Ontario Trial Lawyers Association, which represents lawyers acting for plaintiffs.
Jacques Gallant is a Toronto-based reporter covering legal affairs. Follow him on Twitter: JacquesGallant. Copyright owned or licensed by Toronto Star Newspapers Limited. All rights reserved. To order copies of Toronto Star articles, please go to: www. Report an error. Journalistic Standards. About The Spec. More News. Top Stories. Look out for your first newsletter in your inbox soon! By entering your email address you agree to our Terms of Use and Privacy Policy and consent to receive emails from Time Out about news, events, offers and partner promotions.
Our newsletter hand-delivers the best bits to your inbox. Sign up to unlock our digital magazines and also receive the latest news, events, offers and partner promotions. We rank the sweetest, saltiest and most downright toxic moms to ever grace the big screen. And when compiling this list of the most classic movie mothers of all time, we learned one thing quickly: Upsetting mommie dearest is not advised.
With that in mind, please excuse us if this list skews toward the monstrous. What can we say? We love our crazy matriarchs as much as the calming ones. Here are our picks of the most classic movie mothers of all time. An elderly woman the amazing Kim Hye-ja plays amateur detective when her dimwitted son is accused of murder—and gets more than she bargained for.
Sandra Bullock won an Oscar for her portrayal of a football mom who takes in a hulking, homeless African-American teen, and turns him into a gridiron all-star. Lest you think this is just a stock nurturer role, watch for the scene where she rips into some local gangstas; this grizzly mama has claws. Normally, the idea of Toni Collette being our mother would be an appealing one. Nevertheless, Collette throws herself into the tempestuous seas of motherhood in Hereditary, battling through fraught family dynamics, trauma and, worst of all, grief at the loss of a child until her world is unrecognizable.
Her criminal children including a young Robert De Niro as a junkie are a source of pride; she even bakes them cookies. As the parent from hell with a target on her back, Oscar nominee Anne Ramsey is the perfect mix of spittle-inflected rancor and leery-eyed maliciousness.
The wrenching sequence where she leaves him behind in the woods is a harrowing abandonment nightmare come to life. His therapists may say otherwise. But when Allen does go there, he goes big, with this Freudian riff about a lovably nagging mom the peerless Mae Questel who scolds her son—and the whole of Manhattan—from over the skyline like a whiny Godzilla.
The original lures our nostalgic hearts, but this remake was a rare example of Hollywood improving on the source. Much of the success should be attributed to a ferociously funny Jamie Lee Curtis, underrated as a comedian, who cuts loose with snarling teenage abandon. She even got some awards buzz for her performance.
Playing the mother of nine-year-old Buddy, she is radiant and generous, a caring figure who wants nothing more than to protect her family from the violence and uncertainty of Belfast during that time. The perfect mom, if you ask us. The emotions between the two deepen as this classic weepie winds its way to a devastating climax that would force even the most dispassionate parent and child into a tight embrace.
Accidental time-traveler Michael J. From home movies, photographs and answering-machine messages, Jonathan Caouette stitches together this intensely personal documentary about his painful upbringing. The way she radiates love for the passing-for-white daughter who shuns her puts the heart in heartbreaking. Sad-sack novelist John Albert Brooks, who also directs decides to move back in with retired mom Beatrice Debbie Reynolds.
Even if your kid is a real devil. Spend a little time with this Australian version of Ma Barker and you understand just how much she loves her bank-robbing boys—maybe a little too much. Then she meets a six-year-old Puerto Rican boy who some bad guys want out of the way, and courtesy of Gena Rowlands, we see that even the toughest snub-nose-wielding dame has a hidden tender side.
Our hunch is that you really will like her by closing credits. The movie plays out in complex chronology, as ominous moments of child rearing alternate with nightmarish scenes from a red-hued aftermath. Abuse begets abuse in this early David Cronenberg chiller about Nola Carveth, an ill-treated woman who, despite the best psychotherapeutic efforts, bears a brood of killer children.
The ultimate chilly WASP, her Beth Jarrett is a woman who mourns the loss of a son by shutting down emotionally—and failing to provide comfort for the disturbed child who still lives. No, really. While on a job in Los Angeles, con artist Anjelica Huston reenters the life of scammer son John Cusack and proceeds to wreak havoc. It begins in catastrophe with a family torn apart, the father exiled and, sometime later, the mother, Tamaki Kinuyo Tanaka , carried off, her two children sold into slavery.
The plot then becomes a survival story, as hope yields to more practical modes of getting by, like forgetting and brutality. The time we have with our mothers may be cut short, but, as this film shows, they mark us forever. There were evil females in Disney toons before this animated retelling of the Charles Perrault fairy tale; who could forget the vengeful queen from Snow White and the Seven Dwarfs? Kramer , there was still a mountain for her to climb.
Sophie Choice was that breakthrough, the elusive peak attained. Most of the film takes place in a Brooklyn boardinghouse, where the title character Streep , a Polish Holocaust survivor; her manic lover Kevin Kline ; and their neighbor, a young writer Peter MacNicol , come to a kind of familiarity.
Slowly, the movie begins to probe the cracks of their intimacy, and a secret tears the trio apart. Essentially, we bear witness. Italian moms—those loud, smothering, how-come-ah-you-no-eat-enough caricatures—have always been an easy go-to for filmmakers. Barbara Stanwyck frequently cited her title role in this Samuel Goldwyn—produced melodrama—a true no-dry-eye-in-the-house affair—as a personal favorite.
Who was Joan Crawford, really? Conflicting stories swirl, but on one point, there can be no disagreement: She was a survivor. A waitress-turned-proprietor, Mildred lives for her children and suffers for their sins; she is a new kind of American businesswoman who is still trapped by sexist expectations. With her hawklike stares, frosty diction and willingness to kill to get ahead, Eleanor is a vision of motherhood disturbingly devoid of tenderness.
Bates via a furtive rush through the frame here, a knife-wielding silhouette there. Bates is a maniac or a raving thing. She just goes…a little mad sometimes. To our own mothers: Please forgive us for crowning Faye Dunaway our queen. About us. Contact us. Movie moms: The 50 most classic movie mothers of all time We rank the sweetest, saltiest and most downright toxic moms to ever grace the big screen. Discover the best of the city, first.
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