Notti di cabiria

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One evening she ventures into the elegant Via Veneto and gets picked up by suave film star Alberto Lazzari. Disappointment awaits once more, and as poor Cabiria prays to Virgin Mary for guidance and a blessing, the man of her prayers, Oscar D'Onofrio, barges into her life after a chance encounter at a vaudeville theatre.

But do miracles happen? The story of a betrayed but unquenchable little Roman street-walker. Not Rated. Did you know Edit. Trivia Federico Fellini cast film editor Leo Catozzo as the "man with the sack" and wanted to keep that sequence in the release print over the objections of producer Dino De Laurentiis. De Laurentiis thought the scene slowed the film down and finally resorted to stealing the scene from the editing room.

According to DeLaurentiis, about years after its original release, Fellini rang him and begged to get the scene back, so he could restore it. As the movie had now achieved a classic status, the producer agreed. Goofs When the pilgrims pass Cabiria in the night, there is a closeup of the naked feet of the women. On the following wide shot, the women are wearing shoes. Quotes Heavy prostitute with leopard spots : [in Italian, preening and admiring the shadow of her own full figure on the wall] Look how classy I am!

Alternate versions Nights of Cabiria has been available in videos in the original version. The Rialto Pictures version, released in theaters in , restores a scene showing a mystery man with a sack delivering food and blankets to people sheltered in holes. Update The film has been restored in 4K from the interpositive and is now available for the first time on home video in a Blu Ray version that is comparable to a good 35mm print.

Connections Featured in Decoy: Ladies Man User reviews Review. Top review. The "grandest finale" ever. But, when it comes to this beautiful picture, things become clearer. The master takes everything from his heroin but at the end he wants to convey one simple, eassy-to-grip but so essential message: "Please, don't give up".

The power of the film's last ten minutes is unpreceded in the world of movies and, sad to say, never again have we seen such an amazing finale. This is a must-see film, and, most important of all, a film so generous to its viewers that one time is not enough. FAQ 2. Is 'Nights of Cabiria' based on a book? Why were people walking barefoot in the religious procession? Details Edit. Release date October 16, France. Italy France. Italian Latin. Castel Gandolfo, Rome, Lazio, Italy.

Box office Edit. Technical specs Edit. Runtime 1 hour 50 minutes. Black and White. Related news. Apr 22 The Film Stage. Her get-up is weird and illogical for the milieu in which she lives and her farcical mannerisms clash with the ugly realism of the theme. Forty years later, the Times carried a new review by Crowther's successor, Janet Maslin. She called the film "a cinematic masterpiece", and added that the final shot of Cabiria is worth more than "all the fire-breathing blockbusters Hollywood has to offer.

Film critic Roger Ebert reviewed mainly the plot and Fellini's background: "Fellini's roots as a filmmaker are in the postwar Italian Neorealist movement he worked for Rossellini on Rome, Open City in , and his early films have a grittiness that is gradually replaced by the dazzling phantasms of the later ones.

Nights of Cabiria is transitional; it points toward the visual freedom of La Dolce Vita while still remaining attentive to the real world of postwar Rome. The scene involving the good samaritan provides a framework to show people living in city caves and under bridges, but even more touching is the scene where Cabiria turns over the keys of her house to the large and desperately poor family that has purchased it. In , the film was re-released, newly restored and now including a crucial 7-minute sequence with the man giving food to the poor people living in caves that censors had cut after the premiere.

The consensus states: "Giulietta Masina is remarkable as a chronically unfortunate wretch with an indomitable spirit in Federico Fellini's unrelentingly bleak -- yet ultimately uplifting -- odyssey through heartbreak. The American musical Sweet Charity and its film adaptation is based on Fellini's screenplay. From Wikipedia, the free encyclopedia. Not to be confused with Cabiria. Release dates. Running time. British Board of Film Classification.

Retrieved 21 June Box Office Mojo. Retrieved 24 December The Numbers. Internet Movie Database. Retrieved 29 April Il Davinotte. Retrieved 4 March The New York Times , film review, 29 October Last accessed: 26 January Archived from the original on 27 March Retrieved 17 December Chicago Sun-Times , film review, 16 August The Village Voice.

Archived from the original on 26 August Retrieved 27 July Retrieved 2 August Retrieved 25 October Da Capo Press. ISBN Retrieved 10 January Kezich, Tullio Federico Fellini: His Life and Work. New York: Faber and Faber, Federico Fellini filmography.

L'Amore "The Miracle" segment, Authority control. Namespaces Article Talk. Views Read Edit View history. Help Learn to edit Community portal Recent changes Upload file. Download as PDF Printable version.

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As the movie had now achieved a classic status, the producer agreed. Goofs When the pilgrims pass Cabiria in the night, there is a closeup of the naked feet of the women. On the following wide shot, the women are wearing shoes. Quotes Heavy prostitute with leopard spots : [in Italian, preening and admiring the shadow of her own full figure on the wall] Look how classy I am!

Alternate versions Nights of Cabiria has been available in videos in the original version. The Rialto Pictures version, released in theaters in , restores a scene showing a mystery man with a sack delivering food and blankets to people sheltered in holes. Update The film has been restored in 4K from the interpositive and is now available for the first time on home video in a Blu Ray version that is comparable to a good 35mm print.

Connections Featured in Decoy: Ladies Man User reviews Review. Top review. The "grandest finale" ever. But, when it comes to this beautiful picture, things become clearer. The master takes everything from his heroin but at the end he wants to convey one simple, eassy-to-grip but so essential message: "Please, don't give up". The power of the film's last ten minutes is unpreceded in the world of movies and, sad to say, never again have we seen such an amazing finale.

This is a must-see film, and, most important of all, a film so generous to its viewers that one time is not enough. FAQ 2. Is 'Nights of Cabiria' based on a book? Why were people walking barefoot in the religious procession? Details Edit. Release date October 16, France.

Italy France. Italian Latin. Castel Gandolfo, Rome, Lazio, Italy. Box office Edit. Technical specs Edit. Runtime 1 hour 50 minutes. Black and White. Related news. Apr 22 The Film Stage. Mar 5 FilmExperience. Contribute to this page Suggest an edit or add missing content. Top Gap. By what name was Le notti di Cabiria officially released in India in English?

See more gaps Learn more about contributing. Edit page. New and Upcoming Superhero Movies and Shows. See the full list. Recently viewed Please enable browser cookies to use this feature. Cabiria returns to her small home, but Giorgio has disappeared. She is bitter, and when her best friend and neighbor, Wanda, tries to help her get over him, Cabiria shoos her away and remains disgruntled.

One night, she is outside a fancy nightclub and witnesses a fight between famous movie star Alberto Lazzari and his girlfriend. The irritated Lazzari takes the starstruck Cabiria to another club where they dance the Mambo, before returning to the movie star's house, where Cabiria is astounded by its opulence. The two share an intimate moment in Lazzari's bedroom, but are quickly interrupted by the intrusion of Lazzari's previous girlfriend.

Cabiria is told to wait out the night in the bathroom, and ends up watching Lazzari and his girlfriend reconcile their relationship through the keyhole of the bathroom door. The following day, a church procession passes by the street where Cabiria and her friends hang out. As her associates mock the Church, Cabiria is drawn to the procession. Just as she is about to join the procession, a man driving a truck pulls up and offers her a ride home.

As she heads home later that night, she sees a man giving food to the poor people living in caves near her house. She has never seen this man before, but she is both impressed and confused by his charity toward others. The following day, Cabiria and some of her friends attend a church mass, where she pleads the Virgin Mary for a better life. After the procession ends, Cabiria expresses sadness at the fact that her friends seemed to have not changed anything about their lives.

Cabiria goes to a magic show, and the magician drags her up on stage and hypnotizes her. As the audience laughs, she acts out her desires to be married and live a happy life. Furious at having been taken advantage of for the audience's amusement, she leaves in a huff. Outside the theatre, a man named Oscar is waiting to talk to her. He was in the audience, and he says he agrees with her that it was not right for everyone to laugh, but believes that fate has brought them together.

They go for a drink, and at first she is cautious and suspicious, but after several meetings she falls passionately in love with him; they are to be married after only a few weeks. Cabiria is delighted and sells her home and takes out all her money from the bank. The sum of more than , lire in cash represents her dowry, and when she shows it to Oscar in a restaurant he advises her to keep it in the purse.

However, during a walk in a wooded area, on a cliff overlooking a lake, [4] Oscar becomes distant and starts acting nervous. Cabiria realizes that just like her earlier lover, Oscar intends to push her over the cliff and steal her money. She throws her purse at his feet, sobbing in convulsions on the ground and begging for him to kill her as he takes the money and abandons her. She later picks herself up and stumbles out of the wood in tears. In the film's famous last sequence, Cabiria walks the long road back to town when she is met by a group of young people riding scooters, playing music, and dancing.

They happily form an impromptu parade around her until she begins to smile, as a single black tear falls down her face. The name Cabiria is borrowed from the Italian film Cabiria , while the character of Cabiria herself is taken from a brief scene in Fellini's earlier film, The White Sheik. It was Masina's performance in that earlier film that inspired Fellini to make Nights of Cabiria. Finally, Dino de Laurentiis agreed to put up the money. Fellini based some of the characters on a real prostitute whom he had met while filming Il Bidone.

For authenticity, he had Pier Paolo Pasolini , known for his familiarity with Rome's criminal underworld, help with the dialogue. At the time of the film's first American release, New York Times critic Bosley Crowther gave the film a mixed review: "Like La Strada and several other of the post-war Italian neo-realistic films, this one is aimed more surely toward the development of a theme than a plot.

Its interest is not so much the conflicts that occur in the life of the heroine as the deep, underlying implications of human pathos that the pattern of her life shows But there are two weaknesses in Cabiria. It has a sordid atmosphere and there is something elusive and insufficient about the character of the heroine. Her get-up is weird and illogical for the milieu in which she lives and her farcical mannerisms clash with the ugly realism of the theme. Forty years later, the Times carried a new review by Crowther's successor, Janet Maslin.

She called the film "a cinematic masterpiece", and added that the final shot of Cabiria is worth more than "all the fire-breathing blockbusters Hollywood has to offer. Film critic Roger Ebert reviewed mainly the plot and Fellini's background: "Fellini's roots as a filmmaker are in the postwar Italian Neorealist movement he worked for Rossellini on Rome, Open City in , and his early films have a grittiness that is gradually replaced by the dazzling phantasms of the later ones.

Nights of Cabiria is transitional; it points toward the visual freedom of La Dolce Vita while still remaining attentive to the real world of postwar Rome. The scene involving the good samaritan provides a framework to show people living in city caves and under bridges, but even more touching is the scene where Cabiria turns over the keys of her house to the large and desperately poor family that has purchased it.

In , the film was re-released, newly restored and now including a crucial 7-minute sequence with the man giving food to the poor people living in caves that censors had cut after the premiere. The consensus states: "Giulietta Masina is remarkable as a chronically unfortunate wretch with an indomitable spirit in Federico Fellini's unrelentingly bleak -- yet ultimately uplifting -- odyssey through heartbreak.

The American musical Sweet Charity and its film adaptation is based on Fellini's screenplay.