There are no past repairs, no dents, no dings. No neck damage, bell flare and bow are perfect. The original neck has the matching serial number to the body. The only wear at all is some extremely light scratching on the back of the body tube. Great intonation, great ergonomics, beauty, dark honey original lacquer. Gorgeous original Chesterfield case. Super Balanced Action Alto saxophones are going up, and this is one of the best in the world. Your email address will not be published.
Sold Out. Only one available. Sell us a saxophone like this! Read the details here , or email us directly at [email protected]. US shipping and sales only. This item is sold As-Described and cannot be returned unless it arrives in a condition different from how it was described or photographed. Items must be returned in original, as-shipped condition with all original packaging.
Learn More. Your purchases also help protect forests, including trees traditionally used to make instruments. Anyone can sell on Reverb List your item today to get it in front of thousands of eyes, quickly and easily. Learn more on the Seller Hub. Sell Yours Now. Similar Listings.
Used — Very Good. Used — Good. Brand New. Band and Orchestra Woodwind Selmer. Used — Excellent. Change shipping region. Listing Sold. Shipped From. Message Seller. Be sure to check out my other listings for more great saxes.
|Platinum engagement rings online||This style of trumpet was first developed by the Henri Selmer Paris company in for Louis Armstrong read more, and was also famously used by Harry James who preferred the configuration because of his long arms. If you are going to play this seriously, you will probably want to get either all new pads reuse the original resonators or at least replace some pads. Clarinetist Tasha Warren and cellist Dave Eggar present the world premieres of chamber works by six. Previous Next. In earlythey managed to get this sorted out, and from 52 to 55 the Low A baritones have a one-piece bell.|
|Nuttea||But as jazz took off and musicians were standing and performing and improvisation became a bigger issue, the rotated tone holes was a major advantage. The excellent original Selmer factory setup feels great under the fingers. Shipping calculated at checkout. The other notable change is the keyguards themselves. The Super Action altos started production just after the 33, serial number. These hoens don't last too long in the shop. Description Additional information Reviews 0 Description This is as close to a new Selmer Super Balanced Action alto saxophone as you are going to find.|
|Selmer super balanced action||So by , there were some adjustments in the tenor, which were quickly followed in the auto. Thanks for looking! Alto Reeds. Hands down, the most comfortable neck strap you'll ever own! After these instruments were introduced, Conn's development efforts stagnated and the Connqueror models were discontinued in|
|Nvidia shield tv 2019||Charles de la jonchere|
|My hero academy xxx||799|
|Powering off||Balanced action trumpets have the valve assembly set forward mm vs. Soprano Reeds. The bell keys were the heaviest keys with the heaviest action on the saxophone and the weakest of all the fingers were tasked with operating them. The horn shows very little evidence of having been used and still retains almost all of what appear to be the original pads and resonators. It has a sweet, warm voice with plenty of power.|
|Selmer super balanced action||Dee l|
|Selmer super balanced action||You can always spot the differences though if you know what to look for. I do not see any signs of major damage or repairs, and besides some flaking lacquer, you'd be hard-pressed to find any defects. Balanced action trumpets have the valve assembly set forward mm vs. For more than 20 years, Roberto Romeo has worked closely with many of the world's top saxophonists and woodwind players, gaining uncommon insight into the art of sound production Thanks for looking! These hoens don't last too long in the shop. The only notable change to the SBA over its lifespan is found on the tenor, which had several changes to its bottom bow and bell lengths, all within a couple years.|
Alto Saxophone 5 Items 5. France 3 Items 3. Seller refurbished 2 Items 2. Used 3 Items 3. For parts or not working 1 Items 1. Please provide a valid price range. Buying Format. All Listings. Accepts Offers. Buy It Now. Item Location. Canada Only. North America. Shipping Options. Free International Shipping.
Local Pickup. Free Local Pickup. Show only. Free Returns. Returns Accepted. Authorized Seller. Completed Items. Sold Items. Authenticity Guarantee. More filters Condition Any Condition. Seller refurbished. For parts or not working. Gallery View Customize. Speeds up servicing so infrequent with a Selmer.
Another unprecedented innovation was the introduction of the first commercially produced low A baritone. We usually think of the low A baritone as a Mark VI innovation. But in , Selmer introduced their first low A baritone in the Super-Action model. At first, the low A was listed as an option to the model no. Later that year it was given its own model designation, no. The Super-Action and Mark VI low A baritones are similar in many ways, making it difficult and confusing to appreciate their differences.
Two instruments are identical in weight, although the Mark VI stands just little higher. The palm keys are slightly higher on the Mark VI, although the Super-Action has a lighter action as do all the Super-Actions and the engraving is more ornate. The low A mechanisms are very similar, but the shape of the Mark VI design makes it slightly easier to manipulate. Their subjective evaluation proved especially interesting [and my testers] felt that the Mark VI was more resistant in blowing.
The darker tone quality of the VI was offset by the lighter and more responsive quality of the Super-Action. The intonation was good on both. I was surprised at the responsiveness and the lithe quality of the Super-Action. For me, it had a more singing, soloistic quality than my Mark VI, and felt almost as comfortable. Both are superb horns, both with different qualities. It is difficult to decide between them, becoming a question of style more than quality. Something major to note: this was the second Selmer model to offer an altissimo F as an option.
Most people comment that the addition of this additional key and tonehole plays havoc with the horn's intonation. Considering the altissimo F is rather uncommon and I've not played a SBA with one, I'm going to accept this assertion.
Allgedly, there were at least three different versions of the SBA changes found primarily on the alto and tenor :. In my opinion, there were changes added throughout the entire SBA series of horns and these changes, put together, were slightly improved upon - and a couple new patented design features were added - and you got the Mark VI.
I encourage you to take a look at the many pictures I have available for these horns over the few years they were produced and compare and contrast them with the BA and the VI. By the bye, folks occasionally ask why these horns are called Super Action horns in some places and Super Balanced Action horns in other places. Around , Selmer released the Super Action The naming was intentional: Selmer wanted former customers -- and a lot of them were former customers -- to recall the Super Action horns, rather than the Mark 7.
Essentially, to avoid confusion, it became accepted practice to call these older horns "Super Balanced Action" horns, or SBA's, for short, to avoid confusing them with the Super Action 80's. It's not labelled on the horn! Using these above two techniques, the earliest SBA I've got pictures of is in the xx range.
Evidence does suggest that altos were switched over to the "SBA-style" first.