Elo discovery

Romantic Evening Sex All Themes. Articles Features Interviews Lists. Streams Videos All Posts. My Profile. Advanced Search. Discovery Review by James Chrispell. Track Listing. Shine a Little Love. Jeff Lynne. Need Her Love. The Diary of Horace Wimp. Last Train to London. Midnight Blue. On the Run. Don't Bring Me Down. Shine a Little Love Jeff Lynne.

Electric Light Orchestra. Spotify Amazon. Confusion Jeff Lynne. And I tried to cater to the fuckers. And it grew into this monstrous thing that I didn't want. It was a fuckin' drag. He started by trimming the lineup to a foursome also featuring drummer Bev Bevan, keyboardist Richard Tandy and bassist Kelly Groucutt. ELO engineer Reinhold Mack played a key role in this shift.

At one point, he told Lynne , "Let's do away with the strings, let's do away with the choirs and let's just boogie out for a night. Bevan was also itching to try a more straight-ahead sound. I've tried doing more drum fills to liven it up, but when you put the orchestra and choir on top, it starts to sound a mess — so I have to keep it real simple. I've gotten to the stage where I don't even enjoy recording anymore. It's so mechanical. Then Lynne started trying something musically, a sound associated with contemporary acts like the Bee Gees rather than with the Beatles , ELO's most celebrated influence.

The band's disco period was underway — and it started out with a bang. All backing tracks were laid down in a matter of days, once the group gathered for sessions in March and April After that, a massive post-production process got underway before Lynne finally filled in the lyrics. There weren't any guide vocals.

In fact, the backing vocals would almost always be recorded before the lead vocal, which was the last thing to go on. This abbreviated time frame would seem to indicate that they'd become a tighter-knit group. The problem was, nobody else knew just what his larger plan was. Let's try it. The album's detours into the funk-infused dance music of the day "Shine a Little Love," "Last Train to London" led Tandy to memorably quip that they should have called it Disco Very.

Still, Bevan made no excuses. If you want to talk about our first couple of albums, okay, those were less commercial. But since around , we've been doing stuff in the same vein. It's just that we've gotten this mass acceptance now and people hear our stuff on the radio continually and they get the impression we've suddenly become a commercial band. Lynne's interest in disco sounds didn't spring from trips to the hottest dance clubs of the day.

Instead, it went all the way back to his youth. It was full of film stars and all that. I just liked the four-to-the-bar basically.

Was stand above the crowd agree, remarkable

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